A graduate of Oxford, actor Hugh Grant would seem a more natural product of Cambridge University, breeding ground for such comic talents as Monty Python's Flying Circus. Although his classic good looks make him a shoo-in for romantic leads, Grant's comic capabilities--marked by a nervous stutter, desperately fluttering eyelids, and an ability to capture a brand of distinctly English embarrassment--have marked him as more of a comic performer than a serious leading man.

Born in London on September 9, 1960, Grant made his film debut under the very Oxbridge name of Hughie Grant in the Oxford-financed Privileged (1982). He then worked in repertory before forming his own comedy troupe, the Jockeys of Norfolk. Following some television roles, Grant made his first professional film appearance in 1987 with a blink-and-he's-gone part in White Mischief. The same year he did more substantial work, first as Lord Byron in Rowing With the Wind, and then as a sexually conflicted Edwardian in Ismail Merchant's and James Ivory's adaptation of E.M Forster's Maurice. The role won him a Best Actor award at the Venice Film Festival, but despite such acclaim Grant's next films were largely forgettable affairs. One exception--albeit a dubious one--was Ken Russell's The Lair of the White Worm, in which the actor attained some degree of cult status as a lord attempting to foil the murderous charms of a campy, trampy vampire (Amanda Donahoe).

Following period work in Impromptu (in which he played a consumptive, bewigged Chopin) and another Merchant-Ivory outing, The Remains of the Day, Grant finally hit it big in 1994 with starring roles in two films, Sirens and Four Weddings and a Funeral. The latter film in particular gave the actor almost overnight transatlantic stardom, landing him on a number of magazine covers and TV talk shows. The following year, Grant gained fame of an entirely different sort when he was arrested for soliciting the services of an L.A. prostitute. The box-office take of his subsequent film, Nine Months, released on the heels of his arrest, was buoyed by his notoriety, as were the ratings of the episode of The Tonight Show which featured Grant's sheepish apology to his girlfriend, model/actress Elizabeth Hurley.

The actor managed to recoup some of his professional dignity with a restrained performance as Emma Thompson's suitor in the acclaimed Sense and Sensibility, but his next feature, Extreme Measures, a thriller produced by his and Hurley's production company, Simian Films, proved a disappointment. Following this relative failure, Grant receded somewhat from the public consciousness, but reappeared in 1999 with Notting Hill, the sequel to Four Weddings. A commercial as well as relative critical success, the comedy helped to restore some of the actor's luster, further assisted by his lead in the comedy Mickey Blue Eyes, also released that year.