DANIEL DAY-LEWIS - BIOGRAPHY |
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To some, it might have seemed as though British actor Daniel Day-Lewis burst out of nowhere to star in 1989's My Left Foot, but in fact he'd been in films since 1971. The son of British Poet Laureate C. Day Lewis and actress Jill Balcon and grandson of British film executive Michael Balcon, Day-Lewis had neither the time nor the inclination for boarding schools and social training, and by age 13 he'd dropped out of his privileged life style. Thanks to his granddad's influence, Day-Lewis managed to secure a bit part as a teenage hoodlum in John Schlesinger's Sunday, Bloody, Sunday (1971), but he didn't take acting seriously until he was 15. He trained at the Bristol Old Vic and made his legitimate stage debut in 1982, and shortly afterward appeared in small roles in such films as Gandhi (1983) and The Bounty (1985). Day-Lewis first caught the eyes of critics with his performance as an insufferable young aristocrat in Merchant-Ivory's Room with a View (1985); other early performances of note could be seen in My Beautiful Launderette (1984) and The Unbearable Lightness of Being (1988)--films that, though designed for limited audience, managed to break into big-time distribution. Day-Lewis won an Academy Award for the role of true-life paralyzed artist/writer Christy Brown in My Left Foot (1989), then assured the film extra publicity attention with his near-monastic protection of his own privacy. My Left Foot opened the doors for subsequent superlative Daniel Day-Lewis appearances: He was a virile Hawkeye in Last of the Mohicans (1992); offered an astonishingly restrained performance in The Age of Innocence (1993) as a man trapped by the sexual mores of the 19th century; and in In the Name of the Father (1993), Day-Lewis played real-life character Gerry Conlon, the Belfast man, one of the Guildford Four, falsely imprisoned for a terrorist bombing. He turned in a powerful performance as Irish boxer Danny Flynn, who after serving a twelve year sentence for IRA activities, returns to Belfast to try and establish a non-denominational boxing club in the tragic The Boxer (1996). |
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